First published with Escape: June 2017
Favourite romance trope: Emotionally scarred H/H, with Alpha tendencies from a military background, with paranormal elements. (Yeah, picking one isn’t easy.)
Ideal hero (in three words): Protective, complex, unexpected
Ideal heroine (in three words): Courageous, Quick-witted, kick-ass
Latest book: Lying in Ruins
What began your romance writing career? Why do you write romance?
An avid reader, when I hit high school, in-between the fantasy and murder-mysteries from my school library, I started sneaking my mom’s romance novels out of the house. Then entering the big bad world as an adult, I stumbled through life and discovered my characters suddenly became harder to hurt (emotionally and physically) while their relationships became crucial to my stories. A therapist would have a field day with this, but my stories shifted to heroines who didn’t need a hero to ride to her rescue. Sometimes it was more satisfying if she rumbled up to his rescue on her Harley.
How do you write? What is your process like?
I started out a solid pantser (one who writes with little to no planning), something I soon learned would not work long term, mainly because I’m a series writer and it’s way too easy to lose a sub-plot or a subtle piece of a character before you realise it. After eleven books I have mastered the art of a basic outline. Granted it can’t be too detailed because then I get bored (not a good thing when you’re the one telling the story), but my outline has enough major points to ward off distractions and keep me (somewhat) on point. Characters tend to come to me first, bringing their worlds along for the ride, then comes the fun part—creating conflicts of all shapes and sizes.
What was your hardest scene to write? Which kind of scenes do you find difficult to write? Which scenes do you enjoy writing the most?
Some of the more emotional scenes are difficult, only because to do justice to why a character reacts the way they do, without providing an easy emotional out, is tricky business. Anger’s a great emotion, but can be overused. Fear, even in the strongest person, can be the most corrosive. Love can cut both ways on the good/evil spectrum. But emotions are the core of who we are, and why we choose to act the way we do to any given situation. Writing such scenes aren’t just painful for my characters, they’re painful to write, but when done right they’re also the most rewarding.
What do you do when you’re stuck with a scene?
One of the most frustrating parts about story creation is hitting those plot pits, you know the kind that will drop your story into an endless chasm, never to come back? Yeah, those. The fun part about being a writer, nothing is ever final until it’s published, which means much like the awesome Dr. Who, I get to play with timelines, or in this case, story lines. Since the scene is stuck in my head, I’ll leave it for a day or so while I mentally rewrite it ad nauseam, changing little things with each rendition until something finally wrenches those clawing talons from my ankles.
As a writer, what would you choose as your mascot/avatar/spirit animal? Do you have one already?
As much as I’d like to say I’m bi-symbolic because I could swing either toward wolves or leopards, going to have to admit I tend to lean more towards the canine. As a proud rescue mama of my Fur Minxes, Lola and Angel, it’s easy to guess I’m a huge dog person, and yes, I’ll admit, being highly allergic to the feline population doesn’t help. However, leopards are stealthy, cunning, majestic felines that rule their worlds with a cynical eye, but wolves have this fabulous duality of both pack animals and lone predators built on a basis of loyalty and fierce determination. An introvert by nature, something about the ability to move between social and solo appeals to me.
What’s the strangest thing you’ve ever had to research for a book?
When a two-hour span of my search history chronicles: How to set up a marijuana grow house, US Dept. of Defense’s list of current projects, most lethal FOB (Forward Operations Bases) of the US military, and how to set a Trojan virus, I’m pretty sure Homeland Security has me on a list somewhere. It was for my PSY-IV Teams series (a group of ex-military psychics) and I was impressed no men in dark suits came knocking on my door.
Where is your favourite place to write?
I tend to write at my desk normally, but my favourite place to write is with my writing group during our retreats. As desert dwellers, we tend to head north where green things grow and the temperature tends to rest beneath broiling. We try to carve out a long weekend once or twice a year to get together. We stockpile coffee, food, and power cords and then disappear into our worlds for long, blissful uninterrupted hours. Occasionally one of us will surface, mutter a question about some fantastical element and its probable outcome, but the sounds of Mother Nature are interspersed with the click of fingers breezing over keyboards, broken by the slurp of caffeine intake. This picture was from one such jaunt, a lovely multi-room cabin where cell signals were only achieved by driving up the road, holding the phone at a 90 degree angle three feet from your body. It was lovely!
Besides writing, what is something else that you’re really good at?
Organisation. While I ride the line between plotter and pantser (writing without a plan), in every other aspect of my life, I must plan and things must be in their place. Trips have an itinerary, I have a list of tasks to accomplish for almost everything, and I can’t sit down to write unless everything’s done. In fact, I share an office with my husband (see photos). Can you tell who owns which desk?
In a world gone to hell, it’s hard to tell the good guys from the bad…
The world didn’t end in fire and explosions, instead it collapsed slowly, like falling dominoes, an intensifying panic of disease, food shortages, wild weather and collapsing economies, until what remained of humanity battles for survival in a harsh new reality.
Charity uses lethal survival skills learned too early in her work as a ‘Hound, sniffing out pivotal secrets for one of the most powerful people on the west coast. Her work is deceptive, deadly, and best performed solo, which means when she has a run-in with a member of the notorious Fate’s Vultures, she has no intention of joining forces in some mockery of teamwork. The man might be sexy as hell, but she travels alone. She will accomplish her mission and she will settle a score – hopefully with the edge of her blade. But fate has other plans.
As one of Fate’s Vultures, a nomadic band of arbitrators known for their ruthless verdicts, Ruin witnesses the carnage of corruption and greed battering the remnants of humanity, and he bears the scars to prove it. Now he has a damn ‘Hound showing up in suspicious circumstances, leaving every cell of his body sceptical – and painfully aroused. The woman is trouble, and Ruin has every intention of steering clear. But when they realise they have a common enemy, Charity and Ruin will have to set aside their distrust if they want to achieve their mutual goal – justice and revenge.
Sometimes, when the world’s gone to hell, it’s better to stick with the devil you know…
Reblogged this on Louise Forster.